{"id":17,"date":"2023-02-15T18:54:00","date_gmt":"2023-02-15T18:54:00","guid":{"rendered":""},"modified":"2024-03-11T19:54:39","modified_gmt":"2024-03-11T19:54:39","slug":"salva-artesero","status":"publish","type":"post","link":"https:\/\/cosdelletra.com\/index.php\/2023\/02\/15\/salva-artesero\/","title":{"rendered":"SALVA ARTESERO"},"content":{"rendered":"
\nContacte: <\/span>658 68 18 36<\/span> <\/span><\/div>\n
\nsalvaartesero@gmail.com<\/span><\/div>\n
\n<\/a><\/div>\n


\n <\/b><\/span><\/span>
\nSalva Artesero<\/b> \u00e9s actor llicenciat a l\u2019Institut del Teatre de Barcelona. <\/span>Va participar als cursos internacionals \u00abPrima di Teatro\u00bb (San Miniato, Pisa. 2002). Forma part del Laboratorio Rivas Cherif del CDN.<\/span> <\/span>\u00c9s membre fundador <\/span><\/span>de la companyia Cos de Lletra<\/b><\/a>. <\/span><\/span> <\/span><\/span><\/p>\n

Ha creat i interpretat tots els espectacles, els recitals i les lectures dramatitzades de Cos de Lletra. <\/span><\/span><\/span><\/p>\n

Espectacles:<\/span> <\/span><\/span><\/span>\u201cLos ni\u00f1os tontos<\/b>\u201d d’Ana Mar\u00eda Matute (Gira – 2019); <\/span><\/span><\/span>\u201c<\/span><\/span>Las \u00e1vidas ra\u00edces<\/span><\/b><\/span><\/span>\u201d<\/span><\/span> <\/span><\/b>de Ruth Vilar (Sala Sandaru, 2017); <\/span><\/span><\/span>\u201c<\/span><\/span>La puerta blindada<\/b><\/span><\/span>\u201d<\/span><\/span><\/b> de Ruth Vilar (Teatro Lagrada, 2016); <\/span><\/span>\u201c<\/span><\/span>Muescas m\u00e1s hondas<\/b><\/span><\/span>\u201d<\/span><\/span> <\/b>de Ruth Vilar (Teatre Akad\u00e8mia, 2016);<\/span> \u201cLa cua del Parad\u00eds<\/b>\u201d de Pere Calders (Teatre de Ponent, 2013); \u201cLos ni\u00f1os tontos<\/b>\u201d d’Ana Mar\u00eda Matute (C\u00edrcol Mald\u00e0, 2012); \u201cMa\u00f1ana, ma\u00f1ana. El Teatro Inconcluso de Federico Garc\u00eda Lorca<\/b>\u201d (C\u00edrcol Mald\u00e0, 2011; Festival Barribrossa, 2010). <\/span><\/span><\/span><\/p>\n

Recentment ha dirigit <\/span><\/span><\/span><\/span><\/span>\u201c<\/span><\/span><\/span><\/span><\/span><\/span><\/b><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/b><\/span><\/span><\/span><\/span>Cerca del mar<\/b><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/b><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/b><\/span><\/span><\/span><\/span>\u201d<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/b><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/b><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/b><\/span><\/span><\/span><\/span><\/b>, de Ruth Vilar (Dau al Sec, 2022). <\/span><\/span><\/span><\/p>\n

Lectures dramatitzades:<\/span> <\/span><\/span>\u201cDiari d’un mestre adolescent<\/span><\/span><\/span><\/span><\/span><\/span><\/b><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/b><\/span><\/span><\/span><\/span>\u201d<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/b><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/b><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/b>, de Joan Triad\u00fa (En Gira – Any Triad\u00fa – 2021);<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span> <\/span><\/span><\/span><\/span><\/span><\/span><\/b><\/span><\/span><\/span><\/span>\u201cEsa manzana amarga<\/span><\/span><\/span><\/span><\/span><\/span><\/b><\/span><\/span><\/span><\/span>\u201d<\/b>, de Ruth Vilar (Teatro de la Estaci\u00f3n, 2017; Nuevo Teatro Fronterizo, 2016) com a codirector; <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>\u201cObjetos punzantes<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/b><\/span><\/span>\u201d<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/b><\/span><\/span>, de Ruth Vilar (La Infinito, 2016);<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span> \u201cCinc vares de terra<\/span><\/span><\/span><\/span><\/span><\/span><\/b>\u201d<\/b>, de Ruth Vilar (Teatre Romea, 2015) com a ajudant de direcci\u00f3;<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span> \u201cEn companyia de Shakespeare<\/b>\u201d (Nits entre Bambalines, 2013);<\/span><\/span> <\/span><\/span>\u201cContra<\/b>\u201d d\u2019Esteve Soler (Nits entre Bambalines, 2012); <\/span><\/span>\u201cL\u2019espeda\u00e7ament<\/b>\u201d de Ruth Vilar (L\u2019Obrador de la Sala Beckett, 2011). <\/span><\/span><\/span><\/span>Tamb\u00e9 ha dirigit i interpretat la lectura dramatitzada de \u201c<\/span><\/span>10m2<\/sup><\/b><\/span><\/span><\/b>\u201d de Ruth Vilar (L\u2019Obrador de la Sala Beckett, 2007). <\/span><\/span><\/p>\n

Recitals po\u00e8tics: <\/span><\/span><\/span>\u201cdesassossec<\/span><\/b><\/span><\/span><\/span><\/span><\/span>\u201d<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>, 2015, \u201cJa \u00e9s hora que se s\u00e0piga<\/b>\u201d de Pere Quart, 2007 i<\/span><\/span> \u201cCom gotes d’aigua<\/b>\u201d de Joana Raspall, 2006.<\/span><\/span><\/span><\/span><\/p>\n

Al marge de Cos de Lletra, t<\/span><\/span><\/span>amb\u00e9 va estrenar \u201cPush-up 1-3<\/b>\u201d de Roland Schimmelpfennig (Sala Beckett, 2006) i \u201cAtemptats contra la seva vida<\/b>\u201d de Martin Crimp (Sala Beckett, 2005). A m\u00e9s, ha participat a: <\/span><\/span>\u201c<\/span><\/span>Un ram de mar de Joaquim Ruyra<\/b><\/span><\/span>\u201d<\/span><\/span> (TNC, 2004), <\/span><\/span>\u201c<\/span><\/span>Vides de tants<\/b><\/span><\/span>\u201d<\/span><\/span> d\u2019Albert Mestres (Sala Beckett, 2003), i <\/span><\/span>\u201c<\/span><\/span>Silenci de negra<\/b><\/span><\/span>\u201d<\/span><\/span><\/b> de Josep Llu\u00eds i Rodolf Sirera (SGAE, 2004), totes tres dirigides per Joan Castells.<\/span><\/span><\/p>\n

T\u00e9 experi\u00e8ncia en televisi\u00f3 (<\/span><\/span><\/span>\u201cEl cor de la ciutat<\/b><\/span><\/span><\/span><\/span><\/span>\u201d, TVC, 2006-2009) i r\u00e0dio (<\/span><\/span>\u201c<\/span><\/span><\/span><\/span><\/span>Veus<\/b><\/span><\/span>\u201d, 2007-2013).<\/span><\/span><\/p>\n

\u00c9s coautor del llibre Joan Castells: El valor hum\u00e0 del teatre<\/i><\/b> (Institut del Teatre, 2020).<\/span><\/span><\/span><\/span><\/span><\/p>\n


\n<\/span><\/span><\/span><\/span><\/span><\/p>\n

<\/a> <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/div>\n
\u00abDiari d’un mestre adolescent\u00bb<\/span><\/span><\/span><\/span><\/span><\/span>
\n<\/span><\/span><\/span><\/div>\n
\n<\/a><\/div>\n
\n\u00abLos ni\u00f1os tontos\u00bb<\/span><\/div>\n
\n<\/a><\/div>\n
\n
\n<\/a><\/div>\n

\u00abLa puerta blindada\u00bb<\/span><\/div>\n

\n
\n<\/a><\/div>\n

\u00abMuescas m\u00e1s hondas\u00bb<\/span>
\n<\/span><\/span><\/span><\/span><\/p>\n

\n<\/a><\/div>\n
<\/div>\n

\u00abLas \u00e1vidas ra\u00edces\u00bb<\/span><\/div>\n

\n
\n<\/span><\/div>\n
\n
\n<\/span><\/div>\n
\n<\/a><\/div>\n
\n\u00abLa cua del Parad\u00eds\u00bb<\/span><\/div>\n
\n
\n  <\/span><\/span><\/span><\/span><\/span><\/span><\/div>\n<\/div>\n
\n<\/a><\/div>\n
\n\u00abMa\u00f1ana, ma\u00f1ana\u00bb<\/span>
\n<\/span><\/span><\/span><\/span><\/span><\/span><\/div>\n
<\/div>\n
\n
\n<\/a><\/div>\n

\u00abJa \u00e9s hora que se s\u00e0piga\u00bb<\/span><\/span><\/p>\n<\/div>\n

\n <\/span><\/div>\n
Fotografies de Maria Santamarta, Dolors Garcia, <\/span><\/div>\n
Rub\u00e9n Ibarreta,<\/span> Jordi R. Renom i Ruth Vilar.<\/span><\/div>\n
 <\/span><\/div>\n
\n <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

Contacte: 658 68 18 36 salvaartesero@gmail.com   Salva Artesero \u00e9s actor llicenciat a l\u2019Institut del Teatre de Barcelona. Va participar als cursos internacionals \u00abPrima di Teatro\u00bb (San Miniato, Pisa. 2002). Forma part del Laboratorio Rivas Cherif del CDN. \u00c9s membre fundador de la companyia Cos de Lletra.   Ha creat i interpretat tots els espectacles, els […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,6],"tags":[],"class_list":["post-17","post","type-post","status-publish","format-standard","hentry","category-cos-de-lletra-qui-som","category-salva-artesero"],"_links":{"self":[{"href":"https:\/\/cosdelletra.com\/index.php\/wp-json\/wp\/v2\/posts\/17","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cosdelletra.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cosdelletra.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cosdelletra.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/cosdelletra.com\/index.php\/wp-json\/wp\/v2\/comments?post=17"}],"version-history":[{"count":2,"href":"https:\/\/cosdelletra.com\/index.php\/wp-json\/wp\/v2\/posts\/17\/revisions"}],"predecessor-version":[{"id":406,"href":"https:\/\/cosdelletra.com\/index.php\/wp-json\/wp\/v2\/posts\/17\/revisions\/406"}],"wp:attachment":[{"href":"https:\/\/cosdelletra.com\/index.php\/wp-json\/wp\/v2\/media?parent=17"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cosdelletra.com\/index.php\/wp-json\/wp\/v2\/categories?post=17"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cosdelletra.com\/index.php\/wp-json\/wp\/v2\/tags?post=17"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}